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Tim Scott's F.A.Q's
General Knowledge
Music Quiz
Recording Equipment
Guitar Geeks
General
Knowledge:
Q. At what age did you start playing
guitar?
A. My Grandad gave me an old Spanish Acoustic
age 10, but I took the strings off it, sprayed part
of it black, and then hid it in the wardrobe. I
started properly at age 14 on bass but swapped to
lead guitar age 15.
Q. How many years have you been playing?
A. I've been playing for about 20 years now.
Q. What's your favourite song?
A. If I had to choose I'd have to go for
Rosanna by Toto just hearing that song on the radio
with Steve Lukather's awesome solo was unbelievable,
that was probably partly what inspired me to pick up
the electric guitar.
Q. Who are your top five favourite
guitarists?
A. That's hard to narrow down as I've taken
in so many influences over the years and continue to
do so from any music or musician that I think sounds
cool. So here goes.
1. Steve Lukather (Toto, sessions for Michael
Jackson, Lionel Ritchie, etc...)
2. Van Halen (Van Halen, sessions; Michael Jackson,
etc...)
3. Joe Satriani (Solo instrumentalist, sessions;
Deep Purple, Pink Floyd, etc...)
4. Steve Vai (Solo instrumentalist, sessions; Frank
Zappa, White Snake, etc...)
5. Jeff Beck (Solo instrumentalist, sessions; The
Yard Birds, Rod Stuart, etc...)
Q. What was the first album you ever
bought?
A. 'Variations' by Andrew Lloyd Webber which
I found out years later features Gary Moore on
guitar which is way cool as I played Gary’s album
‘Still Got The Blues’ until it would play no more.
Q. What's your favourite confectionary?
A. It's a tough choice between sherbet 'Dip
Dab' with 'strawberry flavour lolly' and 'Sherbert
Fountain' - 'fizzy sherbet with a liquorice
dip'...ha ha.
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Music
Quiz:
Q. How do you go about writing tunes?
A. I generally start of with a chord
progression or a riff on guitar or bass that has
potential, and record it roughly and start adding
other parts to see where it leads. I can usually
hear parts to go with it and where I would like it
to lead, in my head as I listen back to the ideas
I’ve laid down.
Q. How do you come up with the initial
riff or chord progression?
A. I just throw my fingers on the guitar and
see what falls out and although this might be a hit
and miss process over several minuets, hours, or
even weeks & months it works for me, so as they say
'if it ain't broke don't fix it'.
Q. Why don't you write lyrics to your
tunes?
A. I've loved instrumental music from the day
I was born so the music I compose is far more
influenced by the instrumental greats of Pop, Dance,
Rock, Blues, Funk, Classical and Jazz. Although I've
learnt a great deal from the numerous songs that
I've played and still continue to learn, although
not my main passion they have contributed a great
deal to the way I play.
Q. Are you in a band at present?
A. Not at this moment but I'm looking forward
to putting an outstanding band behind my solo music
sometime in the future as its popularity escalates.
I played all the instruments on my first album but
I'd love to work with other musicians and play more
of a producer’s role allowing me to concentrate more
on my composition and guitar playing.
Q. Have you ever played in Bands?
A. I've played in numerous Pop, Blues, Rock,
and Indie bands almost from the day I started
playing which was the most fantastic experience but
my solo material is by far my best asset and also my
greatest passion.
Q. Have you ever written any songs with
words?
A. When it comes to writing songs I'm best
suited to working with others who write lyrics and
co-produce while I come up with that all important
killer hook riff, melody, or chord progression. As
with out a shadow of a doubt I know through
experience that, this is how I work best in the
context of song writing.
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Recording Equipment:
Q. How do you record your sound?
A. In the studio I mostly mic stuff up using
various different mic's into a TL Audio PA-1 vale
mic Pre amp chained into a TL Audio C-1 valve
compressor, TL Audio EQ-2 valve EQ then through a
BBE sonic maximiser 882i as a front end so that as
the track is laid down it's very close to how I
would like it to sound in the final mix.
Q. What mic's do you use?
A. I've got a Neumann TLM 103 which is a
great all rounder from percussion, special effects,
to vocal shouts. On acoustic guitars I use a Neumann
M147 tube mike usually mixed with a DI but more
traditional things on the electric guitar like Shure
SM57's, SM57 Beta, SM58 and occasionally an AKG D112
which sounds great, quite surprisingly, as it's
usually found inside a bass drum being pounded to
bits.
Q. What monitoring do you use at acer
studios?
A. I’ve always been a big fan of JBL’s I’ve
had a pair of control 1’s for the last eighteen
years. I’ve got a big pair of JBL 4208’s for
cranking the mix and I’ve got three different pairs
of JBL I-Pod/computer speakers (JBL Creature II, JBL
On Tour and JBL Duet) just for checking mixes, as
it’s important to get it perfect on the type of
speakers that music is listened to most on. You can
see my studio set up if you visit the ‘acer
studios tour’ section of the
gallery page.
Q. What's the most important thing to your
sound?
A. I firmly believe it's mostly down to what
you do with your fingers and no, you can't borrow
mine.
To find out more about my recording methods visit
the Recording
Tips and Techniques page
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Guitar Geeks:
Q. What make was your first guitar?
A. My first guitar was a second hand Antoria
copy of an SG short scale bass which I sold a year
later for my first lead guitar which was a second
hand Gordon Smith GS 1.
Q. Do you still own them?
A. No. I sold them to get the money I needed
to put towards a better one.
Q. What was the first truly professional
level guitar you owned?
A.
I had a Custom Shop Jackson built to my
specification with a beautiful carved quilted maple
top with mahogany body and neck, but when it arrived
I didn’t like it as much as the Blue Jean finish
limited edition 88’ Jackson Custom that I’d been
playing in a local music shop so I swapped my Custom
for the limited edition 88’ and a Fender Champ 60
valve amp so I didn’t lose any money.
I’ve still got the limited edition 88’ guitar as it
has the clearest sound you’ve ever heard and I
wouldn’t sell it for the world. It’s number 25 of
only 216 pieces worldwide made to celebrate the 10th
anniversary of the Jackson Guitar Company
Q.
What strings do you use?
A. I use D'addario strings for all my guitars
and basses. I use 9-42's on all my electrics, 10-47
on my acoustic, hard tension on my Taylor nylon
acoustic and 40-95 or 40-125(five string) on my
basses. I prefer extra light strings as they allow
light fingering of chords, easy legato sweeps,
extreme bends and tremolo use without wearing your
fingers out to quickly.
Q. What picks do you use?
A. I like a fat pick because they give a
thick sound and a more accessible palate of tonal
colours. I favour Jim Dunlop tortex 1.14mm but only
because they're purple and not blue.
Q. What Pick-ups do you favour?
A. I'm an EMG man as they have a very
consistent, beautifully clean sound which is low in
noise and high in output so it's easy to drive
wireless systems with it and swap guitars around
live without alteration of effects and volume
settings, but mainly because they look cool.
Q. What amps do you use?
A. Soldano mainly as they sound very fat,
they fit in a mix beautifully with very little
equalisation and can produce a wide range of tonal
colours from clean jazzy, funky to mellow blues up
to full on shredding rock very much depending on
what fits at the time, plus they all go up to 11
which is one louder than 10, and they're purple,
purple all over!.
Q. What effects do you use?
A. I have an array of different effects
pedals mainly Boss, MXR, Electro Harmonix, etc...
but I tend to use these sparingly. I really love the
Roger Mayer stuff particularly the vision wah in
fact I’m featured in his artist list which is a real
humbling. Most of the effects on the record however
have come from the rack in the studio: TC electronic
G-Major, Lexicon MPX 1 and MPX 500.
Q. What do you do with your guitars when
you have to make a plane journey?
A. With the way things are, it’s very
difficult to get them on board so I have a
collection of individual heavy duty custom-built
flight cases which are so sturdy that they are
hopefully baggage handler proof!!! Plus they are
covered in fragile stickers and I check them in
separately and walk them down if possible to avoid
them going down any chutes.
All my pro flight cases were custom built by the
Freestyle case company as they can cut out the
interior foam to exactly fit the guitar, so with a
little extra material (e.g. pairs of socks, t-shirt,
etc.) you can pad it out to stop any movement inside
the case to try to avoid any damage from knocks or
falls.
Just remember to remove any batteries from the
guitar and to slacken the strings to avoid damage to
the neck from the radical temperature changes that
can occur. Leave the guitar in the case for a least
a few hours after you land as this lets it
acclimatise to your new environment.
Keeping it in the case as much as possible is best
for the instrument because this prevents it from
completely readjusting to the new climate so
hopefully you wont need any radical adjustments
performing on it during your stay.
Q. Which is your favourite guitar?
A. That's a tough one, I am always torn
between my custom Jackson SL1 Pile'O Skulls, and the
Sims Custom Sparkly Pink Fender Telecaster as its
just way too cool and sexy for its own good.
Q. How many guitars do you own?
A. One to match every outfit. (Check out the
Guitar Gallery section of the
Gallery page to
find out what my outfits look like...ha ha!).
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